Introducing Background Manager

Article
November 10, 2026

Plan background, calculate headcounts, track costs, and generate reports, all in one place. Background Manager is now live in Cinapse: a new way to plan, organize, and budget background for every shoot day, right alongside your production schedule.

Here's what it does, and how to use it on your next show.

Background Manager puts your groups, the day’s schedule, and the cost summary in one view.

Getting started

Background Manager works from the background already on your breakdown sheets. There's nothing to import and no separate list to maintain. If an element is in a background category and scheduled on a shoot day, it's already there.

To open it, go to your schedule and click the Background icon in the top bar, between Events and Reports. Pick a board and a shoot day in the left sidebar, and you'll see three things:

  • Background Groups, where you organize the day's background. Anything not yet in a group sits under Ungrouped BG.
  • Schedule, the day's strips with a background line on each one.
  • The day summary on the right, with grouped and ungrouped counts, union and non-union totals, hours, and estimated costs.

Two quick setup steps before you start:

  1. Check your categories. Background Manager includes every element in a category whose type is Background. General Background and Stand-in/Photo Double are set up for you. If you track other kinds of background in their own categories, like special ability or featured BG, open the Element Manager, go to Categories, and set Category type to Background.
  2. Set your rates. Click View rates & fringes at the top of Background Manager and pick a preset (more on that below). Without rates, costs show as "-".

The right headcount for every shoot day.

Background performers often appear across multiple scenes, and that's where background math usually goes wrong. If the schedule shows 10 background in each of 5 scenes, that doesn't mean 50 people. It means 10 people for the day.

Every group has a Total headcount setting with three options:

  • Max quantity (the default) takes the largest quantity in any one of the group's scenes. Diners at 10 in each of 5 scenes is a headcount of 10.
  • Sum adds the quantities across all of the group's scenes, for when every scene needs different people.
  • Custom lets you type your own number, like when you're recycling some background and moving others. Click the pencil next to the headcount to switch.
Choose how each group’s headcount is calculated: Max quantity, Sum, or Custom.

Each group also splits its headcount into Union and Non-union. Change one and the other adjusts to match the total. As the schedule changes, Max quantity and Sum headcounts update automatically. A Custom headcount stays exactly as you set it.

Stand-ins and photo doubles work a little differently: their headcount counts each distinct performer once, and they're never mixed into regular background groups.

From breakdown to background plan in one click

Building a background plan used to mean starting over in a spreadsheet every time the schedule moved. In Background Manager, click Auto-group and choose how to group under Group by: Category, Name, Scene, INT/EXT, or Set. To group the whole shoot at once, use Auto-group (all days) in the sidebar.

Auto-group the day’s background by category, name, scene, INT/EXT, or set.

Most ADs group by name or category, then rename each group to match how they'll run it on the day, such as by call time. "BG Group 1 - 8AM" is a group name your whole team understands.

From there, shape the groups to fit your day:

  • Create a group yourself. Tick elements under Ungrouped BG and click Create BG group, or use Move to to add them to a group you already have.
  • Move performers. Drag elements between groups, or select them and use Move to.
  • Split a group. Select some of its elements and click Split group.
  • Rename, reorder, or ungroup from the menu on each group.

Auto-group only touches background that's still ungrouped, so it never undoes your work. It also keeps categories apart, minors separate from adults, and stand-ins separate from regular background.

Your background plan. Your schedule. One view.

A background plan is only useful if it matches the board. The Schedule tab shows the day's strips with background groups right on them, with headcounts and daily totals in one place. Review your background needs against the latest schedule without switching between spreadsheets, breakdowns, and stripboards.

The Schedule tab shows background groups and headcounts right on the day’s strips.

Need to adjust a quantity? Hover over an element in Background Manager and change it right there. It updates your breakdown sheet too, so your breakdown and your background plan never disagree.

Local rates. Accurate budgets.

Every agreement handles background differently: different day lengths, different guarantees, different overtime. Click View rates & fringes in Background Manager, or go to Production Settings and find Background rates & fringes. Then pick a preset:

  • US - SAG-AFTRA
  • US - Non-Union (LA) and US - Non-Union (NYC/NJ)
  • Canada - ACTRA IPA and Canada - UBCP (BC)
  • UK - PACT/FAA (London) and UK - PACT/Equity (Outside London)
Pick a preset for your agreement, or enter your own rates and fringes.

Each preset fills in rates for every background category, with separate union and non-union rates, plus the standard work day, minimum guaranteed hours, overtime tiers, and the currency. Turn on Minor rates to add a separate rate for minors. Set your production's fringe percentage, and click Save.

Working under a different agreement or a negotiated deal? Choose Custom and enter your own rates, or start from a preset and change any value. Saving recalculates every existing group, so your estimates always reflect your latest numbers.

Know the cost before you book.

Producers rarely get a clear view of background spend until payroll comes back. With your rates set, every group shows an estimated cost. Enter Estimated hours on a group, and Cinapse works out the rest:

  • Paid hours are the greater of your estimated hours and the minimum guarantee.
  • Straight time runs up to the standard work day, then each overtime tier kicks in at its rate.
  • The total covers the group's full union and non-union headcount, plus fringes.
Every group shows its estimated cost, with totals for the day in the summary.

When a group goes into overtime, an orange OT badge appears. Hover over it to see the breakdown, like "8h @1x" and "2h @1.5x."

The day summary shows background cost, fringes, and the total for the day. Click All Days Summary for the same totals across the entire production. That gives ADs and producers the visibility to make informed decisions before costs add up. Estimates cover base pay, overtime, and fringes, and don't include bumps, meal penalties, or agency fees.

When the schedule changes, know what needs attention.

Schedules change constantly in prep. When grouped background is removed from a breakdown, or its scene moves to a different shoot day, Cinapse flags the day with a red diamond in the sidebar and a banner over your groups.

A banner flags background that moved or was removed after a schedule change.

Open the affected group to see exactly what moved or was removed, update your groups, then click Clear all on the banner for the current day or every day. New background that lands on a day doesn't trigger an alert. It shows up under Ungrouped BG, ready to group.

One background plan. Every department.

Background touches almost every department. When your days are grouped, click Create Background Report in the day summary, choose your shoot days, and decide whether to Include cost estimation. You get a Background Breakdown report with groups, scenes, headcounts, paid hours, and costs for every shoot day, plus daily summaries and a grand total.

Build a Background Breakdown report for any fully grouped shoot days.

In Visibility options, you can hide costs, show the day's strips, choose how scenes are laid out, and sort by schedule order, element name, scene, INT/EXT, or set. That way background casting gets the full picture, and costumes, props, transportation, and catering get exactly what they need.

Need it in a spreadsheet? Right-click a saved report in Reports and choose Download Groups CSV or Download Scenes CSV.

One thing to know: every day in the report needs to be fully grouped. If Create Background Report is greyed out, group the remaining background on that day first.

More control, built right in.

Custom background categories. Manage stand-ins, photo doubles, and other background types in one place. Any category set to Background gets its own row in your rates.

Background permissions. Control who can organize background groups and manage rates with a dedicated Edit Background Manager permission. Owners, Admins, and Editors can edit by default. Viewers can see the plan without changing it.

Background reports, straight from your schedule.

Background Manager is available now on Cinapse Studio and Enterprise. Open your production and start planning.

Want step-by-step help? Our Help Center walks through every part of Background Manager, starting with Introduction to the Background Manager. If you run into anything or have feedback, reach us at support@cinapse.io.

Schedule your next production with Cinapse.