Product

Built for the world’s biggest productions.

Crossboarded episodes, multiple units, and a full AD team, all on one live schedule. Studio scale, by design.

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No passing files back and forth. No wondering who has the latest version. Your AD team works together in real time, with permissions that keep everyone focused on what they need.

Your whole team, in the same production at once.

Changes sync in real time. Everyone stays on the same page.

Keep scheduling offline. Pick up where you left off.

Set who can edit, view or access each part of the schedule.

Final Draft, PDF, Scriptation or Movie Magic. Cinapse reads every scene, set, page count and character, and your work arrives exactly as you left it.

Scene headings, INT/EXT and day/night, detected.

Page counts in eighths. Ready for the board.

Scriptation tags and Movie Magic boards come in exactly as you built them.

Production Intelligence, available for Final Draft and PDF.

Production Intelligence reads your script, identifies production elements, and writes scene synopses automatically. Review, refine, and start scheduling in minutes, not hours or days.

Breakdowns, automatically. Identify cast, background, stunts, special effects, props, and more, scene by scene.

Scene synopses, written for you. Get a concise summary of every scene without writing one from scratch.

Every element, explained. See why an element was suggested, with context from the script.

You're always in control. Review suggestions alongside the original script. Accept, edit, or remove anything before importing.

Private by design. Opt-in only. Your script is encrypted in transit and never used to train AI models.

Available on Final Draft and PDF imports.

Your fields, your order, your colors. Move through the whole board without leaving the keyboard.

Your layout

Choose which fields appear on every strip, and in what order. Save it. Share it with your AD team.

Day / Night

Set

Pages

Episode

Cast

Color by unit or block

Main unit, 2nd unit, every block in its own color. Read the board at a glance.

Main Unit

2nd Unit

Splinter Unit

Block 1 - Ep 601 & 602

Block 2 - Ep 603 & 604

Shortcuts

For the moves you make a hundred times a day.

Insert day break

Move strip to next day

⌘

→

Duplicate strip

⌘

Find a scene

⌘

Undo

⌘

Generate DOODs for feature films, individual episodes, multiple episodes, or entire seasons. Each episode maintains its own shoot day numbering, and every report updates automatically as your schedule changes.

Cast work statuses, covered.

Start, Work, Finish, Hold, Drop, and Pickup. Plus Holidays, Rehearsals, Fittings, Camera Tests, School, Travel. All tracked using the industry-standard codes production and payroll already know.

Episodic, summary, or both, in one report.

Totals for a selected range or the entire board.

Track paid work before principal photography begins.

Mark the days a performer can't work. Add travel, fittings, rehearsals and camera tests. Set start and finish dates from the deal. When a strip lands on a conflict, Cinapse shows you why.

Conflicts

Flag the dates a performer is unavailable, with a note on why.

Travel days

Travel in and out, counted in the DOOD.

Fittings & camera tests

Prep calls on the same calendar as shoot days. Nothing double-booked.

Contract dates

Start and finish dates from the deal, built into every DOOD.

Plan background by shoot day. Group the crowds, split union from non-union, and know exactly how many you need and what they'll cost before you book a single one. Long before payroll does.

By shoot day

Background counts for every day, or only the days that have them.

Grouped or individual

Crowds as groups. Stand-ins and photo doubles by name.

Wherever you shoot

SAG-AFTRA, ACTRA, UBCP, PACT/FAA in London and PACT/Equity outside it. Plus non-union rates for Los Angeles and New York/New Jersey.

Hours to cost

Estimated hours, paid hours and fringes, rolled into one number.

Shooting schedules, one-liners, DOODs, calendars and breakdown summaries. Filter by unit, episode, set, cast or any element, then set the layout, font, colors, header and footer, page size and orientation. Save it as a preset, and it's ready for the next production.

Every report

Shooting schedules, one-liners, DOODs, calendars, breakdown summaries and category reports.

Filter anything

Narrow by unit, episode, block, set, cast, element or shoot day.

Designed to the page

Fonts, colors, headers and footers. Letter, Legal, A4 or Tabloid, portrait or landscape.

Presets

Save any report as a preset. Load it on the next show and you're done.

Give each person a role. ADs run the board. Departments read the schedule without touching it. Sensitive cast details stay with the people who need them.

Roles for ADs, production, departments and studio viewers.

Edit, view or no access, category by category.

Change access in a click. Remove it at wrap.

“Cinapse has changed the way I’m able to work. It’s obviously designed by people who know production intimately.”

Luke Maxcy

IMDb

DGA 1st Assistant Director · The Idol, HBO

Here's what you get when you bring your next show to Cinapse:

Episodic and crossboarded DOODs, always current.

Cast conflicts on the board, before you schedule them.

Background costs before payroll ever sees them.

Reports styled down to the font, saved as presets.

Everyone on the production, in the same schedule at once.

One schedule. Your entire team. Always in sync.

Import your script. Start scheduling.

From script to stripboard in seconds.

A stripboard that works the way you do.

Episodic DOODs, without the workarounds.

Know who's free. Before you board them.

Background breakdowns, straight from the board.

Your reports. Down to the font.

Everyone sees what they need. Nothing more.

There's never been a better time to upgrade.

Schedule your next production with Cinapse.