Two major Paramount productions, School Spirits Season 2 and My Weird School, switched to Cinapse to resolve scheduling challenges resulting from legacy software. Led by DGC First Assistant Director Joanne Gerein, the Assistant Directors (AD) department sought solutions to increase collaboration, streamline scheduling for multiple units, and generate custom reports. They turned to Cinapse.
Before adopting Cinapse, the AD department utilized Movie Magic Scheduling (MMS) and suffered through numerous inefficiencies, battling a software that was not designed to meet the needs of their team or production. With ADs tasked with managing multi-unit schedules, needless time was spent:
Cinapse provided these productions with an intuitive, cloud-based solution, allowing them to make real-time updates accessible to all AD department members. With the goal of achieving greater levels of efficiency and clarity across schedules, Cinapse offered these productions:
By implementing Cinapse, School Spirits Season 2 and My Weird School experienced significant improvements in their workflow. When asked to compare her experience between MMS and Cinapse, Joan responded that Cinapse offers:
Joanne Gerein shared with us:
"Very happy to be working in this software and enjoying the process as well. It is a lot more fun to use. Thank you for always being available for support!"
Cinapse has revolutionized the scheduling workflow for School Spirits Season 2 and My Weird School, demonstrating that modern scheduling software isn’t just a convenience, it’s an essential. By eliminating inefficiencies and introducing real-time collaboration, Cinapse empowers not just ADs, but the entire production—from cast and crew to producers—to work smarter and more seamlessly.
As we gear up for the launch of Cinapse 2.0 later in 2025, even more productions will gain access to a cutting-edge, flexible, and powerful scheduling solution built for the demands of today’s industry.
Are you ready to revolutionize your production workflow? Try Cinapse today and experience the future of film scheduling firsthand.